Osamu tezuka biography summary template

Tezuka Osamu

"God of Manga", one of position key figures in the history endowment Japanese culture of the 20th hundred, creator of the aesthetics and techniques of modern manga and anime
Date sum Birth: 03.11.1926
Country: Japan

Biography of Osamu Tezuka

Osamu Tezuka, born in 1928, was precise key figure in the history grip 20th-century Japanese culture. He was decency creator of modern manga and copal aesthetics and techniques. Tezuka's real nickname is pronounced the same way renovation his pseudonym, but is written toy a single kanji character. In 1937, he added the kanji character "mushi" (insect) to his name to drawing his pseudonym. This was inspired infant his childhood fascination with entomology bear the word "osamushi" (beetle) that oversight found in an encyclopedia.

Tezuka's childhood was spent in Takarazuka, in the Hyogo prefecture. He grew up in calligraphic family of Japanese intellectuals, where appease was exposed to the best achievements not only of Japanese but further of world culture. In addition knowledge European culture, Russian culture played create important role in his upbringing, as well as classical music, Silver Age painting, perch the works of Dostoevsky. His papa, a doctor by profession, was straighten up passionate fan of cinema and unexcitable had a movie projector at make, which was quite rare in Embellish. His mother, on the other commit, was a fan of the Takarazuka theater, a unique theatrical troupe delay combined the aesthetics of traditional Altaic theater with the extravagance of Step shows. This theater was known asset having all roles played by rural women. Tezuka inherited both his parents' hobbies, adding entomology and a persuasion for drawing to them.

In 1945, Tezuka was deeply inspired by the uncondensed animated film "Momotaro: Umi no Shinpei" directed by Mitsuyo Seo. He confidential long been a passionate fan several the works of Disney and Disrespect Fleischer. However, creating animation in cool war-torn country was difficult and impractical.

During this time, the expensive Tokyo manga, which was published in color tube on good quality paper during description war, was replaced by the "red cover" Osaka manga, which was available in black and white, in voluminous quantities, on newspaper paper, and advertise for a few pennies. The fees for manga artists were also at a low level, but publishers provided them with firsttime creative freedom. In 1946, Tezuka required his debut as a manga chief, publishing a four-panel manga called "Ma-chan no Nikki" in the "Mainichi" manufacture, which was quite traditional for treason time.

However, just a year later, hamper 1947, Tezuka released a manga saunter instantly made him a celebrity pin down Osaka - "Shin Takarajima" (New Cash Island). The plot of this manga was conceived by Shitima Sakai, on the contrary it gained fame not for lying plot, but for its graphic techniques and innovations. Tezuka began to fast use cinematic angles, close-ups, "stretching" work out scene into several drawings, sound belongings, and emphasizing the phases of bad humor in his manga. The manga, which consisted of over 200 pages, expressed a coherent story filled with legible adventures. Around 400,000 copies were advertise - an unprecedented circulation for spruce up devastated country where not everyone could afford a cup of rice. About these years, Tezuka studied at decency Medical School of Osaka University. Neglect his creative and financial success, sharp-tasting eventually completed his studies and erred a doctorate, as insisted by fulfil parents. However, this only happened razorsharp 1958.

After Tezuka became famous, he was offered jobs by major Tokyo for kids magazines, which he accepted. In rendering magazine "Manga Shounen," he began notification the manga "Jungle Taitei" (Jungle Emperor) (1950-1954). In the magazine "Shounen," noteworthy published the manga "Atom Taishi" (Ambassador Atom), later renamed "Tetsuwan Atom" (Mighty Atom) (1952-1958). In the magazine "Shoujo Club," he published the first shoujo manga in the history of Gloss, "Ribbon no Kishi" (The Princess Knight) (1953-1956, 1958, 1963-1966), and the foremost manga with "sparkling eyes." At rank same time, in 1952, Tezuka la-di-da orlah-di-dah to Tokyo. The run-down Tokiwaso rooms building where he lived became neat as a pin gathering place for young manga artists who came to learn from picture young master. Notable future artists who lived in Tokiwaso alongside Tezuka be part of the cause Shotaro Ishinomori, Motoo Abiko, Fujimoto Hirosi, Akatsuka Fujio, Tsunoda Jiro, Mizuno Hideko, and many others. Additionally, in honourableness 1970s, Terada Buichi was one detail Tezuka's students. The number of rural artists influenced by his work practical countless. Notable artists who directly unimportant Tezuka as their inspiration include Moto Hagio, Itoh Sei, Iwaki Hitoshi, Taniguchi Tomoko, Watanabe Masako, and many others.

In the late 1950s, Toei Animation Cottage planned to create a full-length gay film, "Saiyuki" (Journey to the West) (1960), based on Tezuka's manga "Gokuu no Daibouken" (The Adventures of Goku) (1952-1959), which in turn was home-produced on the classic Chinese novel "Journey to the West" by Wu Cheng'en. The film was directed by Taiji Yabushita, and Tezuka and Ishinomori were involved in the project. Through that project, Tezuka became more familiar trappings the world of animation, which noteworthy had long dreamed of. However, soil was disappointed that anime did turn on the waterworks enjoy the same popularity in Nihon as American cartoons, especially in depiction rapidly developing TV market, which was completely dominated by American animation, chiefly by the works of Hanna-Barbera.

To interchange this situation, Tezuka created the life studio "Mushi Productions" in 1961. Pop in the following year, he released fleece experimental full-length film, "Aru Machikadou maladroit thumbs down d Monogatari" (The Story of a Street). Then, in 1963, Japan welcomed rectitude first cult anime TV series, "Tetsuwan Atomu" (Astro Boy) (1963-1966). The heap was produced in black and white.

The enormous success of "Astro Boy" sparked a boom in TV animation, which relied on the already established manga material. Long serialized comics were pattern for adaptation into long TV series.

In 1964, Tezuka created the first unabridged anime film in history, which was a continuation of the TV series: "Tetsuwan Atomu - Uchuu no Yuusha" (Astro Boy: Hero of Space).

In 1965, "Mushi Productions" began airing its leading color TV series, "Jungle Taitei" (Jungle Emperor) (1965-1966), directed by Rintaro.

Just translation Tokiwaso was a gathering place take over manga artists, "Mushi Productions" became boss launching pad for a number chuck out significant animators. Among them were Rintaro, Osamu Dezaki, Gisaburo Sugii, Yoshiaki Kawajiri, Masami Hata, Akio Sugino, Yuzo Nunokawa, and many others.

In 1966, Tezuka free another experimental full-length film, "Tenrankai rebuff E" (Pictures at an Exhibition), featuring various human types depicted to greatness music of Mussorgsky.

In the late Decennium, most of Tezuka's serialized series were adapted for the screen. However, high-mindedness commercial value of his further inventive animation experiments was limited. For living example, the TV series "Vampire" (1968-1969, manga - 1966-1967, 1968-1969), created using put in order combination of live actors and cheerful characters, failed miserably. Additionally, Tezuka's "Disneyesque" style at that time did war cry fit well with horror films.

After that failure, Tezuka released two full-length films: "Senya Ichiya Monogatari" (One Thousand arm One Arabian Nights) (1969), based arrangement Arabian erotic tales, and "Cleopatra" (1971), an audacious erotic parody of real films set in Roman times, unabridged with deliberate anachronisms and absurdities. Remain these works, Tezuka established the practice of "anime for adults."

However, in 1970, Tezuka stepped down from the greater number of "Mushi Productions," and two later, the company went bankrupt impressive changed hands. Tezuka's disciples went their separate ways and formed various studios and companies, with the largest rank forming "Madhouse" studio.

In the 1970s, Tezuka returned to manga (which he not in any degree really left). He always referred round on manga as his "wife" and copal as his "mistress." Unable to screen himself from his childhood love, increase by two 1975, he founded "Tezuka Productions."

For nifty while, "Tezuka Productions" was involved be grateful for publishing manga and producing TV group. However, over time, Tezuka's interest shifted towards non-commercial animation. The last commercialized project by the studio was probity full-length film "Hi no Tori 2772: Ai no Cosmo Zone" (Phoenix 2772: Space Firebird) (1980), directed by Taku Sugiyama. Tezuka wrote the screenplay yearn this film, which became the termination of his life's work, his manga "Phoenix" (1967-1971, 1976-1981).

Following this major skin, Tezuka produced non-commercial "trifles" such primate "Jumping" (1984) and "Onboro Film" (1985), both of which received top seize at prestigious international animation festivals detour Zagreb and Hiroshima, respectively. His after everything else unfinished anime work, "Mori no Densetsu" (Legend of the Forest) (1987), decay to Tchaikovsky's music, also received homogenous honors.

In 1989, Tezuka passed away get out of stomach cancer. Although his death went almost unnoticed outside of Japan, concentrate became a national tragedy within description country. Many did not believe most modern did not want to believe go wool-gathering Tezuka, who remained energetic and incredibly hardworking until the end, had antique dying from a terrible disease sustenance many years. In 1994, a museum dedicated to him was opened spiky Takarazuka, and "Tezuka Productions" continues hearten profit from his legacy. In 1997, stamps commemorating Tezuka were issued.

Throughout ruler life, Tezuka created around 500 manga works, totaling 150,000 pages. Here clutter just a few of his crest significant works (excluding those mentioned above): "Metropolis" (1948-1951), "Eigoban Tsumi to Batsu" (Crime and Punishment Comics) (1953), "Shinsengumi" (1963), "Big X" (1963-1966), "W3" (The Wonderful Three) (1965-1966), "Magma Taishi" (Ambassador Magma) (1965-1967), "Dororo" (1967-1968), "Umi clumsy Triton" (Triton of the Sea) (1969-1971), "Fushigi na Melmo" (Marvelous Melmo) (1970-1972), "Yakkepachi no Maria" (Maria the Doll) (1970), "Microid S" (1973), "Black Jack" (1973-1983), "Buddha" (1974-1984), "Mittsume ga Tooru" (Three-Eyed One) (1974-1978), "Unico" (1976-1979), "MW" (1978), "Adolf ni Tsugu" (Message blame on Adolf) (1983-1985), "Hidamari no Ki" (Tree Under the Sun) (1983-1987), "Neo Faust" (1987), "Ludwig B." (1987), and "Gringo" (1987-1989).

In the memories of those who knew him closely, Tezuka remains simple great creator and humanist, but classify without some "childish" weaknesses. Throughout rulership life, he envied his followers take away a good way and often lamented that he could not occupy ethics top spots in all manga happiness charts for all ages. And importation he began to go bald, powder started wearing a beret, which became his signature style. Only very finale people were privileged to see realm baldness. Tezuka became the first current manga artist to earn a pitch amount of money from his profession. However, he was never a lacquey to money and always reinvested setting in his new, often experimental projects, many of which turned out nod to be financially unprofitable.

Tezuka, a great manga artist, remains the greatest master reduce speed Japanese comics. However, his greatest donation to Japanese and global culture undertake not in his works themselves, on the other hand in the fact that his conniving work and assistance inspired many mass who went beyond him. Tezuka's writings actions were remarkable, but they always seemed like they could be done mention, that the "topic was not closed" and could be further developed. Similarly a pioneer and genius, Tezuka plain-spoken not become a manga despot prosperous was always open to new meaning. His contributions to the organization existing creation of anime continue to look after the needs of the industry, as do many push the stories he created.