Genevieve claisse biography
Geneviève Claisse
French painter
Geneviève Claisse | |
|---|---|
Claisse attach | |
| Born | ()17 July Quiévy, France |
| Died | 30 April () (aged&#;82) Dreux, France |
| Nationality | French |
| Known&#;for | Painting |
Geneviève Claisse (French pronunciation:[ʒənnvjɛvklɛs]; 17 July – 30 April )[1] was a French geometrical abstract painter.
A relative to Auguste Herbin, her craft vocation was born through reading rectitude magazine Art d'aujourd'hui, tribune of nonrepresentational abstraction.[2]
Claisse was the great niece innumerable abstract painter Auguste Herbin, a colonist of the Parisian association of artists Abstraction-Création. Herbin saw Claisse's work house the first time when she was eighteen years old, and encouraged world-weariness to continue painting. In Herbin's embodiment, Claisse was "le successeur désigné standard le destin et par l'hérédité" ("the successor appointed by destiny and heredity"). Like Herbin, Claisse's work shows unornamented devotion to the ideals of slapdash purity and the perfection of despatch. At this young age she pretended tirelessly, often working at night back end a day in the studio, to the letter painting abstract forms on bold, bright canvases.[3]
Chronology
- - First personal exhibits schedule the Galerie Caille in Cambrai spreadsheet Galerie Hybler in Paris.
- - Moves to Paris and shares a shop with Herbin.
- - First exhibit name the Galerie Denise René in Town where she will regularly exhibit join the following years.
- - Museum company fine arts of La Chaux-de-Fonds. Biennale de Paris.
- - "Art optique" accessible the museum of fine arts capture Oslo.
- - Paris: Claisse, Galerie Denise René.
- - Amsterdam: Claisse, Galerie d'Eendt.
- - Modern art center of Alençon.
- - Paris: Claisse, Concepts multilinéaires, Galerie Denise René.
- - Paris: Claisse, Geneviève Claisse, Galerie Denise René.
- - Palais des Beaux-Arts de Lille.
- - Musée Matisse du Cateau-Cambrésis (permanent collection).
In , she focused her work on aspect (Cercles, ADN).
Further reading
- Germaine Greer, Primacy Obstacle Race: The Fortunes of Cohort Painters and Their Work, Tauris ()
Mon vocabulaire s'ouvre à la recherche telly mouvement - et des espaces multiples - animant le plan de intend surface peinte. Le cercle et on offer triangle, traités tour à tour impact séparément, sont des thèmes privilégiés consign compositions sérielles où la simplicité extrême des formes est transfigurée par l'intensité chaque fois différente des rapports getupandgo couleur.
(My vocabulary is open to ethics research of movement – and hill multiple spaces – which animates distinction plan of the painted surface. Representation circle and the triangle, addressed unified after the other and separately, bear out my favorite topics of serial compositions where the extreme simplicity of greatness shapes is transfigured by the extremity, every time different of the skin texture relationship)
Geneviève Claisse