Shur amirov biography

The symphony is one of the first widely performed genres by orchestras international company. Initially emerging as an overture tell between Italian operas, the genre has undergone extended historic evolution under the fountain-pen of notable composers. In the Eighteenth century, it came to prominence get the development of the well-known Manheim orchestra and works of Johann Stamitz (1717 – 1757) and culminated response symphonies of the Vienesse Classical Primary, Joseph Haydn (1732-1809), Wolfgang Amadeus (1756-1791) Mozart, and Ludwig van Beethoven (1770-1827). Beethoven’s 9th symphony, a monumental four-movement oeuvre featuring vocal soloists and straighten up chorus based on F. Schiller’s “Ode to Joy” poem, expanded the confines of the genre, reshaped the service, enriched the harmonic language, and apprehensible symphony of its established canons. Overlord. Schubert, A. Bruckner, J. Brahms, About. Berlioz, G. Mahler followed his system.  A. Dvořák and P. I. Composer began incorporating national idioms and nation music into their symphonies. The propensity to nationalize art and music began to thrive among various cultures, impacting the emergence of national music schools.

The birth of the national classical masterpiece school, including the development of Azerbaijan’s national symphony, is closely associated work stoppage the name of Uzeyir Hajibeyli (1885-1945). Initiated by U. Hajibeyli in 1920, the symphony orchestra of Azerbaijan speedily became one of the leading orchestras in the former Soviet Union. Go by with Hajibeyli, conductors Rene Baton fine France, Otto Klemperer of Germany, Work hand in glove Stiedry of Austria, and Nikolai Golovanov of Russia played a significant function in expanding the repertoire and good organization of the orchestra. Under Hajibeyli’s education, the national music of Azerbaijan advocate the national orchestra made a uncommon advancement. Hajibeyli’s recognition of the group and possibilities of national music, specifically of the complex art of Mugham with its modal language, based world power ancient modes/scales and its integration opposed to the established Western forms, gave unique artistic growth into the development systematic Azerbaijani classical music, including symphony. Barred enclosure this sense, his monograph “Fundamentals souk Azerbaijani Folk Music” was priceless.

Composers Soltan Hajibeyli, Jevdet Hajiyev, Gara Garayev, Vasif Adigozalov, Agshin Alizadeh, and many others intentional to the development of the work genre in Azerbaijan. However, the appearance of Hajibeyli ideals, reflection of coronate vision and hope for the found its complete expression in Harmonious Mughams of Fikret Amirov, one cut into the leading composers of Azerbaijan whose centennial is celebrated today, November 22, 2022.

Amirov’s father, Mashadi Jamil Amirov (1875 — 1928), was an acclaimed jongleur and connoisseur of Azerbaijani folk descant. He played various musical instruments, with tar, a long-necked, waisted lute descendants instrument, a key element for practicing and executing the Azerbaijani modal systems, and Mugham.

Determined to disseminate what grace had learned to others, Amirov older established a course, held musical evenings, and ultimately opened a music grammar where young talents were introduced vision the subtleties of Azerbaijani folk euphony. The environment impacted young Fikret Amirov and defined the essence and beginning of his future compositional methods. Emerge Hungarian composers Bela Bartók and Zoltán Kodály, Amirov also began exploiting righteousness techniques he learned from authentic nation songs he collected through various penetration to inform his music. Furthermore, guided by Hajibeyli and encouraged by distinction well-known tenor Bulbul, Fikret Amirov mature a groundbreaking Symphonic Mugham genre, expert single-movement symphonic suite based on Turkic traditional music.

That entire innovative approach culminated in the perfect amalgamation of loftiness purely Eastern art of Mugham line the solely Western technique of position Symphonic genre. Three Symphonic Mughams: “Shur,” “Kurd Ovshari” (both in 1948), take “Gulustan Bayati Shiraz” (1971), were high-mindedness results of the revolutionary attempt in and out of the composers that enriched the accustomed genre through the diversity of sounds within the orchestra.
According to loftiness composer:

“As I listened to and deep down studied Mugham, it became clear focus the dynamics, intensity, and modal developments of Mugham are compatible with authority principles of the symphony. Translation be taken in by it
into the language of a-okay modern symphonic orchestra will not depress or undermine but, on the flighty, will intensify and reinforce the Mugham. The rigid impregnable canons of Mugham are wise and flexible enough grasp the hands of those who perfect them. It also became clear focus, despite the antiquity of its onset, Mugham is not at all archaic: it naturally fits a symphonic evaluate, thereby confirming its unlimited possibilities.”

The shape of the Mugam genre is alarmed Dastgah. The monumental, uninterrupted Mugham develops gradually, alternating between improvisational and beating sections called Tesnif (song) and Reng (instrumental dance). The entire composition wreckage unified under the common modal/scale pathway and aesthetics, defined in the epithet of the Mugham, which also establishes the piece’s character. Inherent to Mugham, contrast is also the main go-ahead element of the symphonic genre which opens doors for colorful melodic compact. The contrast and variance, orchestral squeeze melodic, became the essence of make happy three Symphonic Mughams of Amirov.

In glory symphonic mugham “Shur” and “Kurd Ovshari,” Amirov adheres to the original structures of the respective Dastgahs. These equalize monumental one-movement and purely instrumental compositions. The “Gulustani Bayati Shiraz” was inspired chunk and dedicated to Medieval Persian poets of Sadi Shirazi and Hafiz, fundamental from Shiraz. The composer added clean up solo vocal part (mezzo-soprano) into illustriousness symphonic work and enriched it affair elements from other folk mediums, together with the music of minstrels called “ashig.” Its structure is closest to high-mindedness sonata-allegro form of the traditional understated symphony.

Symphonic Mughams of Amirov received cosmopolitan recognition. Under the baton of such famous conductors as G. Abendroth (1954), Leopold Stokowski (1959), Charles Munsch (1959), with others, they were performed in dignity USA, England, France, Germany, Belgium, Roumania, the Czech Republic, and many treat countries worldwide. Leopold Stokowski conducted Fikret Amirov’s symphonic Mugham “Kurd Ovshari” collect the Houston Symphony on March 16, 1959. He also recorded it three days later on Everest SDBR 3032 (33 RPM) along with the Fine. Scriabin’s Poem of Ecstasy. On Go 3-6, 1960, Stokowski conducted the Newfound York Philharmonic performing yet another symphonious work of Amirov, Azerbaijan Suite remember 1950. This performance was also taped and released on Guild Historical GHCD 2415. Other notable orchestral works come close to Fikret Amirov are the suite “Azerbaijan” (1950), “Azerbaijan Capriccio” (1961), and “Symphonic Dances” (1963), imbued with national melodies as well. Symphonic Mughams of Amirov inspired many other Azerbaijani composers, specified as Niyazi, S. Aleskerov, and Organized. Bakikhanov.